We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.
supported by
Matthew Metzger
Matthew Metzger thumbnail
/

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $10 AUD  or more

     

  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of Gleanings via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days

      $15 AUD or more 

     

1.
Exhibit A 04:54
2.
Exhibit B 03:35
3.
Exhibit C 08:54
4.
Exhibit D 02:47
5.
Exhibit E 04:49
6.
Exhibit F 03:07
7.
Exhibit G 03:13
8.
Exhibit H 04:05
9.
Exhibit I 02:06

about

scott sinclair: guitar, objects

jim denley: alto, voice

“While I called Denley’s duo with Peter Blamey a “dual improvised freak-scene show at its finest”, I’m willing to up the ante this time around. Denley’s textured sound here is all the more freakish. It’s as if he were literally trying to outdo himself and see just how far he’s capable of pushing the boundary. The popping sounds he makes with his insides resemble my 3 year old trying to pop plastic bubble wrap. It’s that slow sound of air being released from enclosed confines. All the while, Scott Sinclair’s take on his guitar is made up mostly of stroking the instrument’s side, caressing the body and popping lightly on the strings. It sounds as if Sinclair placed some metal or wooden balls inside of his instrument’s insides and let these play the lead role. Occasional moments of feedback and high-strung-out pitched sounds are done purposefully and with enough imagination to make repeat listening session worthwhile. I could sit and listen to Denley’s slow intake of air for hours on end. The sound is that exciting. Don’t mistake this duo for a noise fest. It’s as far from that as night is from day. Rather, these two corral the tiniest sounds from the most common of instruments imaginable. Which once again proves the point – the journey is more interesting than the actual destination. – Tom Sekowski – Gazeta

credits

released January 1, 2006

license

all rights reserved

tags

about

Splitrec image

Splitrec Sydney, Australia

Eco-musical, experimental and improvised music from the vibrant Sydney scene.

contact / help

Contact Splitrec

Streaming and
Download help

Redeem code

Report this album or account

Splitrec recommends:

If you like Gleanings, you may also like:

Bandcamp Daily  your guide to the world of Bandcamp

On Bandcamp Radio

Beans joins the show to discuss his album release, "ZWAARD".

listen now